Fashion » The History of Denim Is About More Than Just Jeans All the other usual suspects are represented—classic American ensembles from Claire McCardell and Bonnie Cashin, an embroidered suit by Roberto Cavalli, the oh-so-quotable TV ads from Jordache, Calvin Klein, and Fiorucci—but it's the lesser known
FIT Traces Denim's Road Other notable milestones include Claire McCardell's “popover” denim dress from 1942 — complete with a wide pocket and oven mitts — designed for the hard-working World War II-era housewife. There are also key products from Levi Strauss & Co., such as
Home for the Holidays: Inspirational Outfit Ideas From the Pages of Vogue More homespun, and wildly popular among American hostesses, were the simple jersey dresses and shirtwaist looks created by Claire McCardell, which had both the “creativity and common sense” that Emily Post deemed necessary for entertaining at home. In
What a 1950s Fashion Maven Might Teach Us About What To Wear Decades ago, amidst the Great Depression and World War II, an innovative American designer named Claire McCardell (1905-1958) helped craft a sartorial philosophy in favor of a long-lasting, versatile, and attractive wardrobe. A groundbreaking maven of
Honor Roll for Nov. 28 Liam Aro, Austin Azemar, Tamika Bailey, Heather Bakermans, Shaylyn Bannon, Erin Barnes, Chelsea Bickle, Donald Boley, Ashlyn Booher, Kristina Boyle, Michaela Calaman, Claire Chicchi, Elaina Clancy, Megan Cornwell, Miah Deutsch, Devan Eickhoff, Laura
Клэр МакКарделл (Claire McCardell) родилась 24 мая 1905 года в городе Фредерик, США. С 1923 по 1925 год она училась в “Attended Hood College”, а затем, до 1929 года, в “Parsons School of Design” в Нью-Йорке и Париже. После окончания обучения, МакКарделл начинает работать в
Designer Kate Sylvester on celebrating her heroes with her designs - Stuff.co.nz
Throughout the years that Kate Sylvester has been designing clothes, she has woven themes inspired by her passions for art, literature and film into her collections. So much so, that if you lined her garments up in a room, it would be a cultural feast - a trailing dress inspired by Gustav Klimt's golden portraits. a fur suit a nod to Oppenheim's fur cup and saucer object she spied and fell in love with at the Museum of Modern Art. and most recently, a t-shirt inspired by Picasso's cubist paintings. At iD Dunedin Fashion Week earlier this year, the cool blonde with a bone structure and clear skin that remind one instantly of actress Cate Blanchett told an audience that her art obsession has inspired many of her collections. In her 23 years running one of the country's most enduring fashion brands, the Auckland-based designer has learned a lot. * Kate Sylvester to show at iD Dunedin Fashion Week. * Kate Sylvester returns to New Zealand Fashion Week. In 2003, she pored over the artworks of Vanessa Beecroft and created a sheer, minimalist collection, Nou veau Match, with a nude colour palette. The whole boho thing was starting and I learned an incredibly important lesson. That's the past, though, and since then the designer has built up a solid reputation in the cut-throat fashion industry for creating intelligent, considered collections. Backed by her graphic designer husband, Wayne Conway, who still pens Sylvester illustrations, she is considered to be a true designer, one with an ability to sprinkle an idea right through, from the garments and accessories to the store design. This year has shone on her, too, as she has opened her first store in Merivale's Christchurch, and will open two outlets in Australia for the first time. Until now, some of her garments have been stocked in Myers department store and she wholesales in Australia and the United States. This year, she will open two standalone stores within Myers in Sydney and Melbourne. If that seems late for a designer who has been dressing New Zealand women for more than two decades, it's not for a lack of ability, but because Sylvester hasn't been in a rush. She also only just found the time in her personal life as her sons - 15-year-old twins Tom and Isaac and a 14-year-old, Cosmo - have always been her number one priority. They're growing up. . At one point, Sylvester walked away from an international business to focus on her sons. While a two year stint selling to Barney's in New York was a highlight of her career so far, she pulled out because it would have taken her away from her sons. "We pulled out when I had the babies because I couldn't travel. We stopped being an international company and focussed on New Zealand and Australia. "We are doing it again now, because we can and we have to. ". "A big part of it has been working with Wayne. We've always been able to find the balance together. We've always tried to have one of us at home while the other one is travelling. After fitting models for the catwalk shows at iD Dunedin, the designer left an intensely feminine world of frocks, heels and hairspray to watch one of her sons playing basketball in Auckland. "Being around the boys is a great balance," she says. "It's so much fun, a good antidote to each other. When she doesn't have her nose in a good book, or isn't watching an arthouse.www.stuff.co.nz
Exhibition Looks at Three Who Women Revolutionized the Fashion Magazine - Observer
Vogue may be considered today’s “fashion bible,” but Harper’s Bazaar not only preceded Vogue by 30 years ( Vogue was founded in 1892, Harper’s Bazaar in 1862), but during the pre- and post-World War II period under the helm of Carmel Snow,... The Museum at FIT ’s latest exhibition, “The Women of Harper’s Bazaar : 1936-1958,” organized and curated by the graduate students at FIT’s Fashion and Textiles Studies program and which opens today, explores this unique time period at Harper’s... Carmel Snow, Diana Vreeland and Louise Dahl-Wolfe were the holy trinity of fashion at that time. Long before the phrases “girl power” and “girl boss” became a part of the feminist lexicon, these women were publishing powerhouses. As Editor-in-Chief, Carmel Snow the “Queen Mother of Fashion,” often launching careers through her innate knack for finding creative geniuses. As the legend goes, Ms. Snow attended a ball at the St. Regis hotel. Across the room she spotted a young socialite with jet-black hair and patrician features wearing Chanel gliding across the grand ballroom. Her name was Diana Vreeland and Ms. Snow was captivated. On the spot, Ms. Snow offered her a job writing for the magazine. Soon after the success of Ms. Vreeland’s column, she became the magazine’s fashion editor, conceptualizing and styling editorials. These editorials sought to give the public, according to Ms. Vreeland herself, “what they never knew they wanted. Known for her brilliant use of color, Ms. Dahl-Wolfe’s use of cacophonous hues and vibrant imagery meshed well with Ms. Vreeland’s fantastical style and love for the exotic. Each woman’s talents fed into and strengthened the other: Carmel Snow had a knack for finding and commissioning talent and she encouraged creativity. this gave Diana Vreeland the freedom to indulge in her flights of fancy. The collaborative effort of these women is evident in one of the exhibition photographs: all three women in Carmel Snow’s bedroom, sheets of paper strewn across Ms. Snow’s wrinkled sheets as she lays in bed, flanked on either side by the seated... It is just one of the many behind-the-scenes looks into the creation of the magazine displayed in the exhibition. These visual peeks into their world makes for a compelling story that, with every photo, every garment, every piece of ephemera, makes you wish for a return to those days when making a fashion magazine was still fun and it was about the art, not... At times, the exhibition felt a bit colorless, with the masses of ephemera and black and white photos diluting the effect of the brilliantly hued Louise Dahl-Wolfe photographs. That feeling was compounded by the long, sinuous corridor that serves as its exhibition space, and I sometimes got the feeling that I was viewing an art gallery as opposed to a curated exhibition (which isn’t surprising considering that the...observer.com
Клэр МакКарделл (Claire McCardell) - f2f-mag.ru
Клэр МакКарделл (Claire McCardell) родилась 24 мая 1905 года в городе Фредерик, США. С 1923 по 1925 год она училась в “Attended Hood College”, а затем, до 1929 года, в “Parsons School of Design” в Нью-Йорке и Париже. После окончания обучения, МакКарделл начинает работать в качестве модели и дизайнера по трикотажу в компании “Robert Turk, Inc. ” Затем, с 1931 года, она становиться дизайнером “Townley Frocks”. В 1938 году Клэр МакКарделл (Claire McCardell) переходит на работу в компанию “Hattie Carnegie”, где разрабатывает дизайн женской одежды. С 1940 года, модельер начинает создавать дизайн одежды под собственной маркой для компании “Townley Frocks”. В 1943 году Клэр МакКарделл (Claire McCardell) была удостоена награды “Mademoiselle Merit award”, а на следующий год — “Coty American Fashion Critics award”. В 1948 году дизайнер получила “Neiman Marcus award”. В 1953 году, модельер представила свои работы в рамках выставки-ретроспективы в Беверли-Хиллз, США. В 1956 году Клэр МакКарделл (Claire McCardell) запустила линию детской одежды под собственным лейблом. В 1958 году дизайнер второй раз получила премию “Coty American Fashion Critics award”. Стиль дизайнера всегда отличался лаконичностью. Таким образом, большинство приемов и методов кроя, пошива и декорирования платьев, легли в основу производства готовой одежды в будущем. Клэр МакКарделл (Claire McCardell) скончалась 24 марта 1958 года в Нью-Йорке. Теги: биография Клэр МакКарделл, стиль Клэр МакКарделл, коллекции Клэр МакКарделл, награды Клэр МакКарделл, американская мода. Новости дизайна, проекты российских и иностранных дизайнеров, биографии дизайнеров, анонсы выставок в Санкт-Петербурге и Москве, портфолио ведущих российских фотографов, дизайнеров и иллюстраторов. Новости моды, тенденции мужской моды, обзоры коллекций и показов одежды, биографии модельеров, истории о создании Домов моды и fashion-марок, обзоры новинок косметической и парфюмерной индустрии, фото-отчеты о светской жизни Москвы и...f2f-mag.ru
Claire McCardell - Wikipedia, the free encyclopedia Claire McCardell (1905–1958) was an American fashion designer in the arena of ready-to-wear clothing in the 20th century. From the 1930s to the 1950s, she was known ...
Claire McCardell Biography, Fuzzylizzie Vintage Claire McCardell's name is well-established as one of the most important American designers of the 20th Century. She was educated at Parsons School of Design, where ...
McCardell, Claire | Artist Index | Heilbrunn Timeline of ... Dress, ca. 1950, Claire McCardell (American), Black rayon jersey (1997.193.2) Evening dress, 1950, Claire McCardell (American), Red silk damask (C.I.58.49.4a,b)
Claire McCardell, Maryland Women's Hall of Fame Frederick-born Claire McCardell, the "creator of women's sportswear", "the gal who defied Dior", is widely recognized as the woman who pioneered casual, comfortable ...