Save Point Both parties walk away with big credits under their belt and bags of cash in their bank accounts. To revive Xbox, Microsoft needs to land the next big franchise. To do that, the .. When I ask why the latest Halo isn't available on Windows 10, the
6 reasons voluntary sales will flourish in 2016 A great deal is happening in the voluntary benefits market, as more brokers and carriers enter the space, and employers realize supporting overall wellness—physical, emotional and financial—increases presenteeism and productivity. Eastbridge
Fashion » The History of Denim Is About More Than Just Jeans All the other usual suspects are represented—classic American ensembles from Claire McCardell and Bonnie Cashin, an embroidered suit by Roberto Cavalli, the oh-so-quotable TV ads from Jordache, Calvin Klein, and Fiorucci—but it's the lesser known
Mark Sievers who 'paid friends for wife's murder' still has custody of their kids Investigators in Florida believe Mark Sievers, the husband of well-respected doctor and mother-of-two Teresa Sievers, orchestrated her June 29 murder to cash in on her multimillion-dollar life insurance policy. He still has custody of the children
Florida doctor Teresa Sievers's husband hired her killers to get $4.5m in life ... Investigators in Florida believe the husband of a well-respected doctor and mother-of-two Teresa Sievers orchestrated her murder to cash in on her multimillion-dollar life insurance policy. Sievers Bonnie Sievers, Mark's mother, was in charge of
Students Gain Experiential Learning Documenting Designer Bonnie Cashin . When UC inherited close to 200 fashion garments designed by 20th century designer Bonnie Cashin, leaders turned to students for help. Date: 5/8/2015 12:00:00 AM By: Kara Driscoll
How Fashion Legend Bonnie Cashin Broke Into Bazaar - HarpersBAZAAR.com
Stephanie Lake: Before she worked in fashion, Bonnie designed costumes at the Roxy Theatre in the 1930s. It was a huge job. She would churn out thousands of costumes for the dancers, who rivaled the Rockettes, but what she really wanted was to work in fashion. So she took matters into her own hands, and created a show at the Roxy where the stage was a life-size Bazaar 's newly-minted editor in chief] heard about the show and came to see it, and she immediately decided that Bonnie should be a fashion... Bonnie had no experience or credentials, but Snow put her in contact with Louis Adler, who was a huge force in fashion and had a very prestigious dress and coat line. Snow took Cashin to his office and said, "Here's your new designer. " She was suddenly put in charge of creating ready-to-wear, and she had absolutely no idea what she was doing. the pattern makers thought her designs were impossible, but she had her mother by her side, who would make samples to prove that things could be done the way Bonnie wanted them. Snow's endorsement landed Bonnie a top job in fashion. In creating her biography, I completely underestimated what would go into compressing her story into these 300 pages. She had two apartments in U. N. Plaza and I have the contents of both of them. Bonnie kept a personal design archive, so I maintain nothing less than a private museum, and I do everything I can to share and get the much-deserved recognition for everything that she's done. It is not only the iconic designs but also a record of how she worked. SL: Her designs appeared as early as the spring of 1937, but in 1940 the magazine did the very first issue that didn't cover clothes from Paris because of the war. There's an editor's note that says, "Introducing 7th Avenue Designers," and Bonnie was the first one photographed and the first one mentioned, which is an incredible moment. It was a pivotal point in fashion, right after Diana Vreeland was brought in [as the fashion editor at Harper's Bazaar ]. Carmel Snow was obviously a fantastic scout for talent. It was an incredibly exciting time for American design and American sportswear, and the fashion industry was opening up and moving from Paris. There was a changing of the guard and Bonnie was part of it. SL: I have some of Vreeland's notes to her, written in almost unintelligible script. I think they recognized in each other the same spirit, the same boldness, the same sense of joy and also frank disdain. They were incredibly forthright and strong, and so they had a very warm friendship. I have one from Vreeland that says, "The world is leather mad, and of course, you've always been the best and the first. " She was always very ready to give Bonnie credit for what she had contributed to fashion. Bonnie didn't have the same sense of drama that is so fantastic about Vreeland, but at their core, I think they were very similar. It's just in their outlook and their sense of possibility and also in the sense of having control, and having great confidence in what they were doing. Bonnie was unflinching. She was the sole creator of her work, and she succeeded in all of those decades, staring in the 1930s and not retiring until the mid-1980. She worked independently from her own studios in her homes. SL: In the mid-century, she decided that her name was going to be on everything that she designed from that point on—no investors. She set up her independent studio and gave a few shares to her mother.www.harpersbazaar.com
Bonnie Cashin as Revealed by Author and Archivist Stephanie Lake - WWD
Bonnie Cashin’s lasting influence on American sportswear is evident from one season to the next, and Stephanie Lake’s new book will only give further definition to that legacy. In New York for a signing for “Bonnie Cashin: Chic is Where You Find It” (Rizzoli), Lake — who designs her own accessories collection — spoke with WWD about some of the unknown personal history of Cashin, whom she first met in the Nineties as a... A Hollywood High School grad, Cashin started her own label at age 43 after designing for the Roxy Theater’s in-house dancers and doing costumes for 20th Century Fox films. Shrewd about the power of youth, she fudged her age, claiming to have been born in 1915, even though Census data indicates circa 1908 is closer to the fact. She was a youthful beauty so she could get away with it and she did. Cashin, who died in 2000, was an Art Students League graduate in the Thirties and always saw herself as an artist, so much so that at the time of her retirement she said she planned to return to painting as a career. Cashin hand-mixed paints to create — and name — her own colors, which she then gave to dyers and weavers to recreate with textiles and fabrics. To keep herself removed from Seventh Avenue, Cashin lived and worked at U. N. Plaza, where her mother, the company’s only other stakeholder with 1 percent, lived in an adjoining apartment and sewed samples until her death in 1963. “She didn’t play... Cashin’s firsts as an American designer included creating flight attendants’ uniforms for American Airlines, selling select designs from her own line in the Hermès Paris store for years and opening an in-store shop at Liberty of London. In the Sixties, she passed up the chance to be in-house designer at Liberty of London. Involved at that time with a British civil servant and mystery author, the designer was more interested in spending her time in London “boating on the Thames or something” with him. Even in the very last years of her life, she was such a force intellectually and personally,” Lake said. Not interested in hosting potted-palm fashion shows in hotels like other designers, Cashin showed a number of collections at the Herman Miller showroom, as well as unexpected spots like the Museum of Contemporary Craft and Serendipity, the Upper... To debut a fur collection that was coined “Money in the Bank,” Cashin staged the show in a bank. Ahead of the high-low trend that so many designers are now so immersed in, Cashin offered items ranging in price from $12 to $12,000 and liked to say, “Prices fall where they may. Her influence — hardware clasps instead of buttons, formalizing a system of layering and the use of leather in an array of sportswear styles — “filters through so many collections,” according to Lake. ” In addition to creating the items, Cashin’s élan for wittily describing them helped shoppers to understand what were then new concepts. By calling a two-piece coat with a shell and an outer piece as “a striptease in reverse,” Cashin explained things in a way that no one else had ever done. Very proud of her influence on her century, Cashin took it upon herself to start donating items from her collection to the Brooklyn Museum of Art and the Metropolitan Museum of Art’s Costume Institute in the Thirties. After entrusting Lake with her legacy, the designer gave the author “informed” biographies about such creative forces as Ray and Charles Eames, whom Cashin knew personally and admired.wwd.com
A rare peek into a very special Bonnie Cashin fashion collection - Minneapolis Star Tribune
Gallery: This cardboard box hung in Bonnie Cashin's studio in New York. Now it's in the archive kept by Stephanie Lake. ] JEFF WHEELER ï jeff. wheeler@startribune. com After striking up a friendship with mid-century fashion designer Bonnie Cashin while living in New York, Minnetonka jewelry designer Stephanie Lake is now the custodian of Cashin's vast archive of everything from notebooks to finished garments. She was photographed in her home office in Minnetonka Thursday afternoon, May 26, 2016. . Gallery: Sketches by Bonnie Cashin decorate the powder room in the home of her archivist, Stephanie Lake. ] JEFF WHEELER ï jeff. wheeler@startribune. com After striking up a friendship with mid-century fashion designer Bonnie Cashin while living in New York, Minnetonka jewelry designer Stephanie Lake is now the custodian of Cashin's vast archive of everything from notebooks to finished garments. She was photographed in her home office in Minnetonka Thursday afternoon, May 26, 2016. . StarTribune. com welcomes and encourages readers to comment and engage in substantive, mutually respectful exchanges over news topics. Comments that violate the above will be removed. Repeat violators may lose their commenting privileges on StarTribune.www.startribune.com
Bonnie Cashin - Wikipedia, the free encyclopedia Bonnie Cashin (September 28, ca. 1908– February 3, 2000) is considered one of the most significant pioneers of designer ready-to-wear, more commonly called ...
Bonnie Cashin | Bonnie Cashin's Personal Archive. Bonnie Cashin's Personal Archive. ... Get every new post delivered to your Inbox.
Bonnie Cashin Biography - life, family, name, school ... American fashion designer Bonnie Cashin (1915–2000) was often referred to as one of the "Mothers of American Sportswear."
Vintage Fashion Guild : Label Resource : Cashin, Bonnie Bonnie Cashin (1908 or 1915-2000) is considered to be one of the great innovators of modern fashion. She was introduced to fashion design by her mother, a custom ...