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Arnold Scaasi Dies at 85; Dressed Stars and Socialites, His 'Scaasi Girls' The proprietor of a long-running atelier in Midtown Manhattan, Mr. Scaasi was known for bringing the techniques of the French couture to prominent American women. Among them were Barbra Streisand, who wore a sheer, sequined, broadly bell-bottomed

Arnold Scaasi, fashion designer - obituary The son of a furrier, he was born Arnold Isaacs on May 8 1930 in Montreal, Canada. (In 1955 he reversed the spelling of his name to the more exotic sounding “Scaasi”.) His interest in fashion began during his teens and was much inspired by his

Friends, Family, Clients Turn Out for Scaasi Memorial Gayfryd Steinberg recalled how one day in 1984 no sooner had she gotten home after buying a strapless silver-and-pink brocade Scaasi dress at a store than her phone rang with the designer on the line. “I had heard of him but had never met. He said, 'I

Arnold Scaasi Memorial Set for Oct. 1 at St. Bartholomew's Church Known to be a confidante and quipster to socialites and other prized clients, Scaasi staked his claim in American history by dressing five First Ladies — six, if one added Lady Bird Johnson, whom he classified in a separate category. His White House

Legendary Designer Arnold Scaasi Dies at 85 So said Arnold Scaasi, the ebullient Montreal-born fashion designer, who died on August 3 at age 85. That belief informed his homes, too, which were featured in in the 1970s and '80s, among them the New York duplex he shared with

Arnold Scaasi, at 85; fashion designer NEW YORK — Designer Arnold Scaasi, whose flamboyant creations adorned first ladies from Mamie Eisenhower to Laura Bush and film stars from Elizabeth Taylor to Barbra Streisand, has died. He was 85. Mr. Scaasi died Tuesday at New York-Presbyterian

Dazzling 'Evolution Of The Eighties' Fashions On Display At Jorgensen - Hartford Courant

In the world of fashion, the '80s was an era of excess: bright and shiny fabrics, wild patterns, gaudy sweaters, big neck bows, bigger shoulder pads and even bigger hair. Women took cues from Joan Collins of TV's "Dynasty," men took theirs from Don Johnson of "Miami Vice" and everybody wanted to look like the singers on that then-new channel MTV. "This was the last explosion of American fashion, when people wanted to wear the weird stuff," said Laura Crow. "It was the last time of theatricality, of clothing as street theater. It was the last period when men had long hair. Crow is a stage costume designer and a professor of costume history, design and technology at UConn's Department of Dramatic Arts. She curated "Eccentrics: The Evolution of the Eighties," a delightful exhibit on view throughout the summer in the gallery in the basement of the Jorgensen Center for the Performing Arts on the Storrs campus. The exhibit is a fun counterpoint to Crow's last curatorial work: the Beatrix Fox Auerbach show at the Connecticut Historical Society. Auerbach's sedately elegant wardrobe reflected the powerful woman executive of the '30s to '60s. Two decades later, businesswomen who wanted to be both formidable and chic mimicked Collins, whose costumes were designed by Nolan Miller. "There were three women on 'Dynasty,' but Alexis was the powerful woman, the head of a corporation. She had the same power Mr. Carrington had. "The women's power movement popularized these clothes. She made the 'femme fatale' or the 'bad woman' someone to be dealt with, a glamorous image. The exhibit features some Alexis-like business suits with "power" accessories: scarves, brooches, jewelry and those ubiquitous shoulder pads. The pieces come from UConn's historical costume collection, which recently received large donations of vintage pieces from theater director Emma Duricko and designer Arnold Scaasi, who was at his peak in the '80s. Girls who just wanted to have fun... Madonna and her lace and visible bustiers. Salt N Pepa's androgynous 'tude, all of them in a wild palette of hues. Men had MTV fashion idols, too: Adam Ant, the first of the "New Romantics," whose Vivienne Westwood-designed costumes combined military and pirate motifs. Prince, who mixed the pirate-shirt look with crushed velvet. the glam metal of Mötley Crüe. the androgyny of Boy George. Women of more sedate taste might have preferred the styles favored by Princess Diana. " Two of the Scaasi donation pieces show his signature basket-weaved chiffon, one pink and the other yellow. The exhibit highlights the sapphire-blue Scaasi worn by Barbara Bush at her husband's 1989 inauguration. A shorter version of the dress is on show, with her signature triple strand of pearls. The president's inaction on the AIDS crisis did nothing to stem the carnage in the gay community. That community's uninhibited sense of adventure was the driving force behind many cutting-edge fashion trends. After a while, there was very little for them to keep up that joy and that heretical spoofing of women and glamour. The influence of another AIDS casualty, legendary artist.

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Arnold Scaasi, fashion designer - obituary - Telegraph.co.uk

Throughout the 1960s, in defiance of the general trend for more affordable clothing, Scaasi focused on designing occasion-wear for high-end clientele, and after setting up his own couture salon in 1964 he was able to indulge his predilection for... Bright pink stripes, lemon-yellow zig-zags and extravagant floral patterns were combined with fur, feathers, ruffles, bows, beads and sequins with spectacular – occasionally outrageous – results. In 1969 one of Scaasi’s more risqué designs came to wider attention when he dressed Barbra Streisand for the Oscars. As she stepped up to the stage to receive the Best Actress award for Funny Girl, she seemed unaware that her black glittery Scaasi pantsuit (complete with a demure, oversized Peter Pan collar) was, in fact, transparent. Scaasi went on to work alongside Cecil Beaton on the show-stealing costumes for Vincente Minnelli’s musical fantasy On a Clear Day You Can See Forever, which starred Barbra Streisand as a daffy New Yorker who discovers under hypnosis that she is... He went on to create costumes for Loving Couples (1980), starring Shirley MacLaine and Susan Sarandon, and Kiss Me Goodbye (1982), with Sally Field and James Caan. But it was for his dazzlingly adorned high-end gowns that Scaasi was always best known, and his clients included five First Ladies: Jackie Kennedy, Mamie Eisenhower, Barbara Bush, Hillary Clinton and Laura Bush. A diminutive and charismatic figure, he was well loved by his “Scaasi girls”. In it he recalled that he once offered Jackie Kennedy 20 couture dresses for wholesale, only for the offer to be refused on the grounds that she had never paid for an article of clothing. His work has been acknowledged in numerous exhibitions over the past decade in retrospectives, including a collection of more than 100 couture designs, sketchbooks, and press clippings in 2009 at the Museum of Fine Arts in Boston. Arnold Scaasi, born May 8, 1930, died August 3, 2015.

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Classic in the Front, Party in the Back! Elizabeth Kennedy's New Eveningwear Formula - Vogue.com

Not so long ago, Resort was reserved for bikinis and caftans, and in recent years, it’s been all about “buy now, wear now” items like sweaters and coats. But with the collections dropping in November and December, the season is also a golden opportunity for on-the-rise eveningwear designers like Elizabeth Kennedy. “Women used to buy gowns for holiday parties and weddings months in advance,” she tells Vogue. com, “but now they might buy a dress two weeks before an event, so it’s important to offer some newness for Resort. Kennedy made her New York Fashion Week debut back in February, but she’s been working with private clients for more than four years. A graduate of Isaac Mizrahi Couture, J. Mendel, and Donna Karan Atelier (where she designed gowns for celebs), Kennedy started her business at the urging of Bergdorf Goodman. “They needed someone to do custom couture, and they knew I had been wanting to start my own business, so I launched exclusively with them. In the past few months, though, she’s been opening up to other retailers and hosting trunk shows on Moda Operandi. Kennedy is honing in on a vision for gowns that are elegant and flattering, but also a bit unexpected. “Celebrities are really under the microscope, so they’re scared to take risks, and stylists are scared to take risks,” she says. “They want to look modern and cool, but sometimes that can be a little boring. ” Her solution: Keep things slim-fitting in the front and voluminous in the back. There’s a similar dress in Kennedy’s Resort lineup in black-and-white brocade with a black bow. Kennedy also introduced a surprising botanical print in two colors: crisp white and hot pink, inspired by ’80s-era Yves Saint Laurent and Arnold Scaasi. “Customers want drama, but they don’t want to be covered in beads and rhinestones anymore, so I thought a print would be a great way to do that,” she says. Also a bonus: Those languid printed gowns are easy to pack, making them ideal for the destination weddings on your calendar.

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Arnold Scaasi - Wikipedia, the free encyclopedia Arnold Scaasi; Born: Arnold Isaacs (1930-05-08) May 8, 1930 Montreal, Quebec, Canada: Died: August 3, 2015 (2015-08-03) (aged 85) Manhattan, New York, United States

Arnold Scaasi - Wikipedia Arnold Scaasi: Geboren: 8 mei 1930, Montréal: Overleden: 3 augustus 2015, New York City: Nationaliteit Canada: Opleiding: Cotnoir-Capponi School of Design: Beroep

Arnold Scaasi - Fashion Designer | Designers | The FMD Official profile of Montreal based fashion designer Arnold Scaasi including biography, collections, brands, labels, photos, news and more.

Arnold Scaasi - IMDb Arnold Scaasi, Costume Department: On a Clear Day You Can See Forever. Arnold Scaasi was born on May 8, 1930 in Montreal, Quebec, Canada as Arnold Isaacs.

Scaasi - Museum of Fine Arts, Boston | The MFA is one of ... Scaasi: American Couturier. From his meteoric rise in the late 1950s through his heyday in the 1980s, Arnold Scaasi has remained one of the most distinctive and ...