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Win Christmas: £1000+ of prizes on offer from The Bridges and Sunderland BID •Get ready to rub the magic lamp and enter the cave of wonders as this year's high-flying pantomime, Aladdin, hits the Sunderland Empire. Take the family along for a jam-packed night of songs, laughter and happy ever afters for the performance on Dec

Win Christmas: £1000+ of prices on offer from The Bridges and Sunderland BID •Get ready to rub the magic lamp and enter the cave of wonders as this year's high-flying pantomime, Aladdin, hits the Sunderland Empire. Take the family along for a jam-packed night of songs, laughter and happy ever afters for the performance on Dec

Hampshire Christmas markets and fairs - find out where they're being held near you November 14: The Wellington Centre is holding its first Christmas Fair and there will be many different stalls with gift ideas including candy floss, fudge, personalised gifts, jewellery, clothes, home fragrances and candles. . He will be

Aladdin Rides Magic Carpet Through NYC, Makes Childhood Dreams Come True He fashioned the perfect prop using a skateboard, a frame made out of plastic pipes, and fabric (of course). The result was a surprisingly realistic-looking carpet. Then, all he needed was PrankvsPrank's Jesse Wellens dressed as Aladdin, and they had

Relive The '90s Joy Of Aladdin In This Exclusive New Clip From Behind The Scenes When we first meet Aladdin in Disney's 1992 animated movie, he's stealing a loaf of bread and singing about how he has to keep "one jump ahead of the breadline." Right off the bat, the street rat wins our hearts. That was in part thanks to Brad Kane

This Aladdin Fan Theory Is Now Official However, one of the tamer hypotheses about the true identity of the peddler in Aladdin has been confirmed by the film's director, Ron Clements, in an interview for E! he did with co-director John Musker. Clements explained, "I saw something that

Gourmet Traveller > - Gourmet Traveller Magazine Australia

Rebecca Raft is the co-founder of jewellery studio Bouvier. She lives and works in Fez, Ubud and Mullumbimby. arriving late at night and emerging in the morning feels like stepping through a looking glass or into a time machine. The call to prayer sets your mind clock, and the smell of spices, donkeys and desert is so evocative. yoga at home, then Café Clock for an espresso and Berber eggs, baked in a spicy tomato sauce - highly addictive. heading to my friend Stephen di Renza's Restaurant Numéro 7. It's a chef-in-residence space where visiting chefs use ingredients only from local producers. Comfort food is. my friend's mum's tagine of lamb and wild baby artichoke-heart. Or a giant doughnut with an egg cracked into the hole from a crazy street vendor. For a weird and wonderful curio. I head to Omah's behind a locked door deep in the medina, an Aladdin's cave full of wondrous stuff. Or the junk souk - Fez has a souk for everything. fossicking with my designer friend Kate Kvalvik, climbing through the back of hole-in-the-wall shops, much to the bemusement of the owners. I order "kawa khala" (espresso) and a glass of orange juice from the lovely Mustapha at Café La Place on the edge of Place Seffarine. It's the noisiest place in the city, where metal-workers hammer copper into giant cooking pots. The sound is magical to me. For after-work drinks. with friends I buy wood-fired bread, olives, and deep-fried dumplings, and I make tzatziki, and invite everyone up to my terrace to watch the sun setting over the medina with the Atlas Mountains in the distance. I take visitors to. lunch of brochettes and kefta tagine cooked over hot coals at Sidi Barada's, then we head to Dar Seffarine, restored brilliantly as a guesthouse by my extended family here, Kate Kvalvik and Alaa Said. For time out I head to. a restaurant called The Ruined Garden for the sweet fragrance of herbs and flowers and Robert's delicious farmhouse food.

Britney Spears Premieres Full 'Private Show' Ad Featuring Her New Song - AceShowbiz

Britney Spears premieres a full, minute-long commercial for her new fragrance "Private Show" featuring her new tune of the same name. The "Baby One More Time" hitmaker shares on Instagram the full-length ad, captioning it, "My new fragrance #PrivateShow just got a spot on the small screen #TakeABow @britneyspearsfragrances. " In the video, she shows her impressive dance move in a black bodysuit and a silver, glittery suit. The video was shot and directed by Randee St. Nicholas, who also worked on Britney's " Femme Fatale " album. Britney tells ET of her new song and perfume, " 'Private Show' is inevitably a sexy song and it promotes feeling sexy and girls feeling alive and I think that's fun for girls. "The last couple of fragrances that I've done with Elizabeth Arden have been really special to me but I wanted to do something that was different," she continues, "I like it during the day, especially in the summer when I wake up to feel vibrant... It uplifts me, it makes me feel sexy and it's really beautiful.

Aladdin was a huge Disney hit. It's got songs, sequins and simians. What could possibly go wrong? - Daily Mail

Aladdin, the latest musical adaptation of an animated Disney movie, is a bloated, blatant, overblown Broadway panto. It’s a visual extravaganza with costly costumes encrusted with crystals, stunning pseudo-Arabian designs saturated with colour and sparkly spectacle – at one point there’s a loud thunderclap, and silver streamers rain down. But it is so smothering and overstuffed with super-slick set-piece dance pageantry that any emotional tremors remain undetectable, and it’s so loud and brassy that any witty wisecrackery is rendered inaudible. Needless to say, on opening night it had a rapturous crowd leaping to its collective feet, not just at the end but for the genie’s big number, Friend Like Me, in which, with accelerating overexcitability, he incorporates snatches of other Disney... A show that is shamelessly eager to please, with bevies of bellydancing girls and brawny, chest-baring boys, goes down a treat with an audience shockingly easy to please. Until then, director/choreographer Casey Nicholaw’s production is a slow burn, only really bursting to comic life with the appearance, in a disappointingly skinny skein of smoke, of Trevor Dion Nicholas’s irresistibly beaming, screaming, queenie... Dean John-Wilson’s Aladdin is one of those stereotypical, superordinary blokes. Jade Ewen’s Jasmine is another Disney cliché: smart, spirited and sassy, and with great breasts – in other words, the embodiment of 21st-century girl power (‘Why are you so determined to pawn me off to any Tom, Dick or Hassim. Whiletheir magic-carpet ride to the tune of A Whole New World momentarily enchants, most effects are less special than spendthrift. In a (mistaken) departure from the movie, the parrot Iago is a diminutive creature – with a distinct though possibly unintended resemblance to our dear Queen – who bustles along in the wake of Don Gallagher’s very English, not very scary vizier,... Worse, Aladdin’s monkey friend, Abu, has been inflated into three lumpen mates, bringing an unfortunate new spin to the notion of ‘as thick as thieves’. In its day – 1960 – Ross was Terence Rattigan’s second-most successful play ever, running in the West End for two years. On one level it’s a distinctly un-Rattiganesque Boy’s Own adventure story charting the incredible escapades of the legendary T E Lawrence, aka Lawrence of Arabia. on another it’s a quintessentially Rattiganesque drama probing the personality of this conflicted man who had a near-obsessive talent for self-concealment. One can see why this rich role tempted Joseph Fiennes back to the stage. And he delivers an impressively accomplished performance, charismatic and infinitely layered. The play begins with Lawrence’s attempt to escape his past, as Aircraftman Ross, an assumed name. Hauled up in front of a senior offer, he is asked to explain why he was 18 minutes late for duty. He explains, with exquisite insolence, that he was dining with ‘Lord and Lady Astor, Mr and Mrs George Bernard Shaw, the Archbishop of Canterbury’.

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